Here is a wedding invitation using 24 point Parsons with it’s 48 pt. long characters for the names of the bride and groom. I whited out some of the more personal information and have included the A7 envelope with the printed flap that I provided with the invitations. The challenge of Parsons, if you have both ascenders and descenders in the same line, is to construct a solid 72 point line of lead using space material to support the characters both above and below the main 24 point text. In this example the second line of the names the “h” goes up and includes the ampersand and the “p” and the “y” go down. (Click on scans to enlarge)
My printing mentor, Jim Walczak, very generously supplied me with several sizes of Parsons. The smaller text of the above invitation is 14 point Parsons Italic without using any long characters. Parsons is not readily available from any type founder that I know of. A 12 point version with 24 point long characters was cast by the Dale Guild in 2010 and eight fonts were offered on Briar Press. I am not aware of any other foundry that has the mats and I welcome comments from anyone who knows of a source for Parsons type.
Parsons was designed in 1917 for BB&S by Will Ransom, who thought the long characters should be used sparingly. One of my workshop students used Parsons for this project:
Among many distinctions, Timothy Matlack (1736 to 1829) penned the original Declaration of Independence which is at the National Archives in Washington, DC. He was a Master Penman and was hired to do deeds, contracts and other legal and historical documents in what could be described as an English Roundhand script. He accomplished this with a feather quill pen. Type fonts that are similar are Copperplate and American Scribe. (See www.oldfonts.com for the excellent computer version of American Scribe)
He was also given the honor of reading the Declaration from the steps of Independence Hall in Philadelphia and overseeing the letterpress printing of the Declaration so that copies could be sent to all of the colonies. He was a very active Quaker and opposed slavery. Congress commissioned the artist Charles Wilson Peale to paint Timothy Matlack’s portrait in 1790. This portrait is shown below as it is in the public domain.
My grandmother, Kathryn Burris Bradley’s genealogy book begins with the Matlack family. The first Matlack was William who emigrated from Cropwell Bishop, Nottinghamshire, England aboard the ship “Kent” in 1677 which landed in Burlington, New Jersey. Our family connection is described at www.BradleyHistory.com
Click on Photos to Enlarge
After ten years of teaching letterpress workshops I thought it was time to give RailwayStationPress.com a new look. This website will include some photo galleries and this blog. The Railway Station Press began in 2003 in the Boyce Railway Station in the Shenandoah Valley of Virginia. The station was used by the old Norfolk & Western line and was built in 1913. The press has since been relocated to the Del Ray section of Alexandria, Virginia within walking distance of the Braddock Road Metro station on the Yellow and Blue lines.
The banner photo is of the beautiful brass mats of 36 Point Civilite laid out while being cast by Jim Walczak of the Sycamore Press & Typefoundry. That 36 point Civilite is just one of the 65 lead type fonts available for your use in a letterpress workshop. The photo below is a fisheye’s view of my Chandler & Price Pilot press years ago when it was at the Boyce Railway Station.
My other website & blog can be found at www.BradleyHistory.com
Thank you, Stuart Bradley